Lebanese artist impressionist school arose from the principle of departure from the studio to nature and practicing painting as an emotional state via the surrounding that influences simultaneously the entire artist's senses. Such kind of departure necessitated a new concept for both the graphic performance from one side, and the renovated view of the Lebanese nature itself from the other. Graphic performance came then to the Lebanese artist scene, among which the water colors that possess were differentiated from all other colors used inside the studio and in particular oil colors, because they can play their lebanon art transparent role in the interior lighting over and above being absorbed by the paper. That made the boundaries of the form melt in the other chromatic background, let alone the fact that the state of graphic composition was based on a singular capability in direct, coloring fully confident of results. The Lebanese water colour paintings were influenced by poetic coloring with the pastel material. For the Lebanese artist, the colors became the expression of the cohesion of pictorial surface and an amount of poetic lyricism, in the presentation of the form emerging from the light pit and illuminating over the darkness expanse. In addition, lebanon watercolor was a local expressionism founded on two basic pats. The first, the changing Lebanese artist nature according to seasons and locations, the second the inspirational literary vision of the lyrical subject.
Jean Ayoub is a lebanese painter born in 1960, he graduated from the “Academie Michel-Ange” (AMBA) in Beirut in 1981 holding a bachelor in interior design. He made his first painting at the age of 19 and started working with the watercolor paintings from 1985 till 1996.
Sunday, February 19, 2012
Impact of Impressionism & Expressionist Movement on Water Color Painting
Lebanese artist impressionist school arose from the principle of departure from the studio to nature and practicing painting as an emotional state via the surrounding that influences simultaneously the entire artist's senses. Such kind of departure necessitated a new concept for both the graphic performance from one side, and the renovated view of the Lebanese nature itself from the other. Graphic performance came then to the Lebanese artist scene, among which the water colors that possess were differentiated from all other colors used inside the studio and in particular oil colors, because they can play their lebanon art transparent role in the interior lighting over and above being absorbed by the paper. That made the boundaries of the form melt in the other chromatic background, let alone the fact that the state of graphic composition was based on a singular capability in direct, coloring fully confident of results. The Lebanese water colour paintings were influenced by poetic coloring with the pastel material. For the Lebanese artist, the colors became the expression of the cohesion of pictorial surface and an amount of poetic lyricism, in the presentation of the form emerging from the light pit and illuminating over the darkness expanse. In addition, lebanon watercolor was a local expressionism founded on two basic pats. The first, the changing Lebanese artist nature according to seasons and locations, the second the inspirational literary vision of the lyrical subject.
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